hunting

Black Spots

THAYER LAKE, THE BRANDRETH PROPERTY

THAYER LAKE, THE BRANDRETH PROPERTY

PREFACE — My essay, Black Spots, tells the story of my adventure at a 15,000 acre camp in the Adirondack Mountains in New York.  My partner, Kevin and I, camped, paddled, and fished in the middle of the wilderness for a couple of days with permission of the Nature Conservancy who had just purchased a portion of this family’s original tract.

                                                           BLACK  SPOTS

KATIE IN FRONT OF OUR QUONSET HUT

KATIE IN FRONT OF OUR QUONSET HUT

Late last August I went to the Brandreth family tract in the Adirondack Mountains of New York.  The same Brandreth as Paullina Brandreth, an early twentieth century hunting and fishing writer who wrote under the pseudonym of Paul Brandreth.  I had read her book, Trails of Enchantment, and couldn’t believe my luck when Kevin, a friend and landscape painter, invited me to spend a week there in a Quonset hut type cabin  on Thayer Lake, one of several ponds on the property.  The Nature Conservancy had recently purchased the 15,000 acre  property and they were eager to show it off.  I was to write about and Kevin was to paint the reclaimed property that had been in the same family for over one hundred years.

As we drove on the twisting private dirt road fifteen miles into the cabin, we surprised two bears who were feeding on the blackberries that were growing on the verge between the road and the woods.  When they heard our truck, they ran as fast as they could down the road, leaped into the heavy brush, and disappeared.  All we saw were two large round bear bottoms dashing away ahead of us.  People hunt bear here. The woods, thick with alders, are perfect bear habitat and difficult to see or walk through. In fact, you can’t see more than a few feet into the woods on either side of the road.

We stopped at a couple of ponds along the way, one whose water was so clear it was hard to believe that it was dead, a victim of acid rain.  Acid rain works like bleach does on fabric.  It irradiates everything: all color, design, and life. But just as the fabric looks spotless, so does the water.  Spotless and lifeless.

We passed Shingle Shanty Pond where Paullina Brandreth had had a lean-to they used for

SHINGLE SHANTY POND

SHINGLE SHANTY POND

hunting expeditions.  When you own, hunt, and fish on over 24,000 acres its nice to have shelter here and there.  I planned on kayaking its 100 acres, searching around the perimeter in hopes of finding the remnants of her camp.  Two hours after we had begun bumping and winding  up and down over the hilly woods, we arrived at Thayer Lake and our Quonset cabin.  We had expected a dilapidated, primitive structure filled with mice and spiders.  To our delight we would be living, sleeping, and cooking in a steel twenty by fifteen foot building with a pine table and matching chairs, aluminum cots with thin mattresses, two folding deck chairs, and a deck overlooking the one mile long lake.  We also had a clean, new privy 25 yards away and a barbecue pit style fireplace just off the deck, feet from the water. We had arrived in paradise.

As if it had been choreographed by a Wild Kingdom producer, two loons, a male and female, swan up to within 30 yards of our place.  As they swam they called their tremolo, “hahahahahaha” back and forth to one another and to us, we hoped.  The pair stayed for fifteen minutes yodeling and diving, dipping their heads and watching — watching us. After unpacking the truck and making our beds, we carried the red camp canoe into the water and paddled out onto the lake.  We paddled to the middle, stopped, and just sat.  Silence.  We were in it, deep in the north woods, surrounded by 100,000 acres of wilderness.  The dirt track on which we had arrived was our only way out unless we wanted to hack our way through thousands of acres of dense brushy woods so thick with dead fall, alders, black flies and mosquitoes that we would need a machete and  several bottles of bug dope.

After paddling the shore line, we decided upon a likely location for catching some small mouth bass.  We were told the lake was full of them, and so we had visions of a dinner of  crisply grilled bass, baked potatoes, and  steamed string beans accompanied by a couple of glasses of shiraz.  Since we only had one fly rod,  I had planned on doing the paddling while Kevin, an expert fisherman, did the fishing and catching.  But after a couple of casts, Kevin insisted I try, saying it was easy and small mouth bass are  fun to catch.

I am a worm fisherwoman and proud of it.  Back home on the Gunpowder River in Maryland, I catch lots of rainbow trout and brown trout on my spinning reel baited with worms dug up on the river bank. A fly rod is baited with a fly and has a much longer line than a spinning reel and rod.  One must cast back and forth and then out, making the fly appear to the fish as if it is a real insect just waiting to be caught and eaten.  I tried it  after much cajoling, and incredibly, a bass attacked my bait.

My line went out, and my rod bent over U shaped towards the water’s surface.  I had a bass.  I actually had a bass! But as I reeled it in, Kevin announced that he’d forgotten the net so I’d “just have to tire it out” before bringing it along side the canoe.  I followed his patient directions as I broke my tension with loud high pitched “oooh’s”, imploring every other second, “What should I do now”?  Miraculously, the bass stayed on and tired.  Carefully, I hauled him up and over the gunwale and into the bottom of our canoe.

I was ecstatic. I couldn’t believe I’d done it and without a net.  I wanted to try  again.   I cast sloppily, but the bass didn’t mind; they jumped onto my bait at almost every cast.  Getting them tired and into the boat was harder.  As soon as they got close to the boat, they swam away from it as fast as they could.  I had to be ready to give them line, but not too much, or they would be able to jump up out of the water and get off of the hook.  Every one of them jumped, at least once.  And every time, I squealed like a child at an amusement park.  After I had caught six and kept four, we called it quits.  We couldn’t eat more than two a piece.

As we paddled to shore, the loons called from the other end of the lake.  This time their calls sounded primordial like a bevy of ghosts wailing loudly, plaintively.  Their “hoooo-lii” echoed ten times over the water, woods, and hills, sending shivers up our  backs and raising the hair on our arms.  .

COMMON LOON WITH BABY

COMMON LOON WITH BABY

Common Loons are large birds, 32 inches long with a wing span of 46 inches.  They are described by the Audubon Society as “black-headed, with a heavy, dagger like black bill,  a white and black striped necklace, prominent white checkers on their back, and white underpants.” Their eyes are red.  They eat mostly fish, sometimes diving 240 feet  for them  and staying submerged for fifteen minutes.  Because they can stay submerged for so long, Eskimos and Native Americans thought them capable of magic.

Back at the shore in front of our cabin, we pulled the canoe out of the water and changed into fleeces and long pants.  It was chilly, about 55 degrees. I opened the shiraz as Kevin sharpened his knife.  We chatted back and forth about our day, how lucky we were to be here, such a nice cabin and no sign of mice.  We’d had bright sunshine and seventy degrees with only a slight breeze.  The water in Thayer Lake was still warm.  We could swim in it tomorrow.  The loons came floating back, looking us over quietly this time.  Kevin spread a wooden board on a flat rock and began to filet the bass.

As he cut, he explained that bass smell bad when you gut them, so he was just going to avoid that and simply filet their sides for the only meat we would eat anyway.  Why make a mess when you didn’t have to.  After cutting the filets from the first fish he stopped and looked at them closely.  “Katie, look at this.  The fish has parasites.”

I looked and sure enough hundreds of little black spots as small as the head of a straight pin dotted the meat.  “Why don’t you clean another one and see if it has any?”

Kevin did and the second one had them and so did the third and the fourth.  “I guess the whole lake is infested with them.”

I didn’t want to give up my image of wilderness camping, the image of fishing and eating our catch. “Maybe they’ll be alright if we cook them.  The parasites will die won’t they?”

“Katie we’re not eating these fish.” And we didn’t.  It’s funny how black spots in fish can change everything.

We thought we were in a pristine environment, fishing in immaculate water. Water we could

BLACK SPOT PARASITES ON FISH PERFECTLY NATURAL

BLACK SPOT PARASITES ON FISH PERFECTLY NATURAL

drink, water cleaner than we’d ever seen.  But now that notion was dashed.  Our small mouth bass had little black spots all through them.  We imagined the worst and blamed man, acid rain, and pollution. We made grilled chicken instead and sipped our wine wondering how this lake in the middle of no where could have  become contaminated with parasites.

Ironically, we were all wrong.  Humans didn’t cause the parasites. After our trip, we found out from a local Adirondack fisherman and the Michigan Department of Natural Resource’s web site that Black Spot is not man made.  Black spot is a  naturally occurring parasite that is commonly found in earthen bottomed lakes and ponds.  It has nothing to do with pollution. The parasites only infest fish with certain diets, not humans swimming in their waters. Even when a fish is heavily infested, he is no danger of dying or becoming sick.  These parasites are not harmful to humans and die when the fish is cooked.  So we could have eaten the fish, even though they looked pretty unappetizing with all those hundreds of tiny black parasites imbedded in their flesh.

Has our postmodern culture  conditioned us to believe that we are the cause of everything that seems harmful because we see the havoc we have caused in more populated places?  Well, we’re not always the cause of harm, and parasites are a natural  part of the natural world.

BRANDRETH PROPERTY

BRANDRETH PROPERTY

If being in the wilderness for a few days taught us anything about our place in the natural world, it taught us that we are a part of the whole.  We’re not the center or the biggest part or the most important part.  We’re just a part.  We don’t affect everything.  In the wilderness, we affect very little unless we bring along dynamite and heavy equipment.  Without any props, we fit right in — we aren’t too loud or too rough.  We eat and sleep and make love like everything else in the woods.  And that is what we’d come for after all– to fit in and to be a part of the wild with or without parasites.

Into the Wilderness

ADIRONDACK  MOUNTAIN STREAM

ADIRONDACK MOUNTAIN STREAM

Amelia M. Murray, the maid of honor to Queen Victoria, camped in the Adirondack Mountains in 1855 with the Governor of New York, Horatio Seymour, his niece, and three guides.  While on

Adirondack Autumn Landscape Where Amelia Murray Hiked

Adirondack Autumn Landscape Where Amelia Murray Hiked

her five-day trip, she learned how to sleep on a hemlock bed, to bathe in Saranac Lake, and to hike sixteen miles in one day through a dense forest filled with “gigantic timber felled by storms…deep bogs and slippery rocks.”  She did all this while wearing a corset, which greatly restricted her breathing capacity, and very unsensible shoes.

Although she was a refined English lady, she carried her fair share — “a basket and a bundle.”  Throughout her diary account of the trip, she makes light of the dirt, rain, thunder, damp bedding and clothes.  She brags about her “London portable soup” which she had brought from England a year earlier and claimed was still in “good preservation” although one should “add lemons and a good store of sugar, brown and white” before eating it.  Amazing.  Her account is enthusiastic, joyous, and chatty.

She was a woman of privilege, an English lady.  Yet she was able to escape “polite society” long enough to have an adventure out of doors in the company of the genteel (the Governor) and not so genteel (the guides).  Although she writes after the trip that it took her “three days at Utica …to recruit and repose” herself, she had had a fine time and welcomed the chance to do it all again.

What is this need, this trenchant desire we have to be in the “wilderness”, to connect with the natural world?  Why would an elegant and refined lady of the 1800s who had probably never ventured much further than a stroll down an English country lane seek the untamed woods of New York State?  She sought adventure, yes, but more than that, I think.  She sought to discover a part of her that had not been tested, had lain dormant.  She wanted to test her fearlessness, her courage, her adaptability.  Normally, tests of fearlessness and courage are associated with men as men’s goals.  Men are supposed to like adventuring; they want to be tested in nature.  Isn’t that what the armed forces ads used to say, “Come see the world. Come adventuring with us.”?  But women need to be tested too. Even girls of thirteen seek adventure.

Last Sunday, my daughter Campbell announced she wanted to go fishing with me down by Cross Mill in Cross Mill stream about one and half miles away.  I thought she was kidding.  Even

Campbell, age 12, my outdoor girl.

Campbell, age 12, my outdoor girl.

though it was sunny and warm for February, 55 degrees, there were still patches of snow about, and I knew the water would be icy cold.  She persisted.   After packing an old red school backpack with a water bottle, water shoes, a towel, and a fishing rod, she pronounced herself ready to ride her bike down to the stream.  I couldn’t convince her to walk, arguing unsuccessfully that the roads are narrow and winding and in some places cars fly by at forty miles an hour. Ultimately, I agreed to her riding the bike as long as she stayed with me.  I wanted to walk.  We spent three hours walking and riding to and from the stream and playing in the water.  We waded in the frigid creek, our feet aching and numb.  We skipped rocks, looked for crayfish.  I snoozed in the sun on the brown picnic tabletop in between commenting to Campbell about her solo rock skipping contest.  On the way home, we spotted a male pheasant a few feet away, scurrying through the bushes by the side of the road.

Why had Campbell wanted to go? Did my daughter latch onto the idea of riding off with fishing rod, towel and water bottle because she needed to get away, needed to be out of doors?  Or did she want to go adventuring in order to test her mettle by  riding her bike to a place she hadn’t fished before and wading in frigid February water?  I doubt she could answer these questions or would even want to.  She’s thirteen.  She just wanted to go.

She just wanted to go like Opal Whiteley, a writer who grew up in Oregon in the early 1900’s.

Opel Whiteley, Nature Writer

Opel Whiteley, Nature Writer

Whiteley wrote in her diary at about age seven, “I like to go in among the rushes where the blackbird s with red upon their wings do go.  I like to touch fingertips with the rushes.  I like to listen to the voices that whisper in the swamp.  I do so like to feel the mud ooze up between my toes.”  Campbell could identify with that.  This desire to connect with nature and to seek sensory experiences in it is common to most of us.   My daughter and Opal Whiteley aren’t the only young girls who’ve found adventure and joy in nature.

Hannah Hinchman, a contemporary writer and visual artist, created an enchanted world in the woods near her home when she was a teen.  She spent whole days attired in a wood nymph dress dancing among tall oaks and pines, performing rituals she had “learned “ from the woodland fairies.  She “wanted these adventures to form an unassailable world, composed only

Hannah Hinchman, out door writer and artist.

Hannah Hinchman, out door writer and artist.

of pure things.”  As she grew older she abandoned her woodland fairies and her fantastical view of nature, yet nature continues to be her solace.  “If I were about to pull the trigger and happened to hear a red-winged blackbird, I doubt that I could complete the act.”

Sometimes this desire to connect to nature becomes a pathological need, a self-medication for mental or physical illness or ordinary loneliness.  When I was enduring and battling a brutal divorce, I used to run long and often on the Panther Branch trail in Maryland.  The two mile trail curves through the woods around house-sized boulders, decaying deadfall, and foot high maiden hair ferns edging the stream and winding up to the top of a hill.  I used my runs there as therapy, going over and over all the terrible lies and injustices.  I recounted the same sad incidents and betrayals in my head; the dialogue never changed.  “He said this; can you believe it? And then he did that on top of everything else.  Doesn’t he even care about his children?”

As I ran, I ran, literally and figuratively, through this dialogue every time.  I spoke sentences, paragraphs in my mind as if I were speaking to a therapist or friend.  As I hit the chest high boulder with the red columbine I would begin my diatribe.  I couldn’t stop it; it rolled on and on of its own free will.  After the divorce was final, I still began this ugly conversation whenever I got to the red columbine boulder.  I did it unintentionally, unconsciously, until I consciously put an end to it.

Sadly, after I’d resolved my divorce and the ugly voices, I no longer wanted to go to the place.  The Panther Branch trail, which had been my solace, my comfort, my dumping ground became my nemesis, a reminder of bitterness, hurt and anger.  I felt as if I’d deposited every vengeful thought and desire in its rocks and branches and they were all there waiting for me.  I didn’t go back for years and then only occasionally.

For me, the Panther Branch became a place that was lovely on the surface but underneath was seething with unpleasantness.

Why do we attach meaning to place?  Does it make it more real, make it more our own?  I heard a psychologist say that artists are often depressed because they try to find meaning in every single thing, and when they can’t find it, they become despondent.  Most of us don’t go that far, yet most of us do attribute some meaning to place.

Places are the tangible stage sets for our happiest and saddest moments, celebrations, rituals and events. Hospital bedsides, altars, and babies’ rooms are the backdrops for life’s most poignant moments. Some cultures construct places to house these significant events – churches, burial mounds and grounds, concert halls, and court rooms. Others, like Native Americans, believe some natural outside places hold deep significance; these places contain spirits or powers that other places do not.  They are hallowed or evil, full of the universe’s energy or places of death.

Place enriches or diminishes what happens within it.  Sipping tea in front of a roaring fire is not the same as drinking tea at the local Seven Eleven store.  Place can change our mood, alter our interactions with one another in positive or negative ways.   Having a conversation in a basketball court or in a room full of whining children is not the same as having a conversation beside a woodland stream or in a quiet, candle lit room.  “Place subtends and enfolds us, lying perpetually under and around us.  Place…is the bedrock of our being-in-the-world,” writes Edward S. Casey, author of  Getting Back Into Place.

I just came back from spending two days in New York City.  I love New York.  I love its

Manhattan Street Scene

Manhattan Street Scene

overabundance.  It’s so full of everything human, overflowing with everything people make. Art, buildings, fashion, food, noise, dirt.  People are everywhere.  On foot, in cars, on bicycles — talking, driving, and honking.  Walking around the city is like walking a human obstacle course; you are blasted with people, color, and noise — snippets of intimate conversations, a man on a space age motorized walker rolling along the sidewalk, pigeons under foot, shop window after shop window stuffed with every conceivable and inconceivable object.  Food markets, their cases over laden with hundreds of cheeses, ten types of proscuitto, twenty pates, truffles, black or white, sauced or canned, marinated or plain. The stimulation becomes overwhelming; the noise eventually becomes too noisy and then it’s time to go home.

After 48 hours of being high on the over-stimulation, I crashed and felt like Amelia M. Murray.  I needed three days at home in the woods in rural Pennsylvania “to recruit” myself.  Just like Murray, I wanted an adventure, a taste of the unfamiliar.  And when it was over, I wanted to repose — in my own place.